I’m a nomadic photographer and visual storyteller from Argentina, working between London, New York, Spain and Buenos Aires. My practice is rooted in movement, between places, languages, emotions, and shaped by a constant negotiation between presence and absence. It moves across photography, moving image, drawing, performance and book-making, shifting between the intimate and the surreal, the visible and the unseen. I began as a self-taught artist, later refining my voice as a student, through studies at the University of the Arts London and the School of Visual Arts in New York City.
My work traces intimate, fleeting moments, the ache of loss, the warmth of connection, the confusion of change. I’m drawn to raw emotion, to what lingers after something ends, and to the relationships that define us even in their absence. Photography, for me, is a way of holding onto what’s already slipping away.
While photography remains central to my practice, I often expand beyond the frame through handmade photo books, installations, mixed-media experiments, and explorations with moving image and sound.
Many of my books take the form of large, tactile accordion structures, objects that unfold like memory itself, layered with handwritten notes, found materials, and personal fragments. These works are meant to be touched, opened, revisited, lived with, not just looked at.
My process is intuitive and messy by design. I follow light, emotion, and instinct more than scripts or storyboards. I’m interested in what emerges when control is loosened, when life bleeds into art.
At its heart, my work is about presence: what remains, what transforms, and what resists definition. It’s an ongoing search for meaning in movement, a space where the personal becomes collective, where emotion turns into form.
Available for commissions agostinacerullo@gmail.com
Photographed by Camya Hernandez